In the second decade of the millennium, Rivera-Bond’s work is characterized by the fierceness of the brushstrokes. The gestural impulse guides the chromatic profusion with vivid contrasts, applied in dense layers of color. Drips and splatters abound, along with experimentation involving extrapictorial elements adhered to the canvas surface. Additionally, there is a vast and variegated three-dimensional production, marked by vehement accumulations where found objects, foam, and spray paint converge.